Each of the three bands of the fully parametric EQ can range across the entire audio spectrum, and the top and bottom bands are configurable as traditional shelf equalisers or bell curves. The track EQ facilities in the multitrack window offer 'A' and 'B' settings, allowing comparison of two different equalisation curves, or perhaps the creation of a 'reference' and 'modified' setting.
For example, the maximum number of tracks in a session has been increased from 64 to, with full track bussing subgrouping functions and, for the first time, a wide range of real-time effects, processing and equalisation on each track.Ī rather welcome side-effect of all this new real-time processing is that the user no longer has to wait for Undo files to be created and saved, which increases the speed and immediacy of the program considerably. Audio can be recorded into CEP 2.ĬEP runs using the computer's native processing power, and the rapid increase over the last few years of CPU power and hard disk data transfer rates has allowed Syntrillium to increase its real-time processing facilities enormously. Microsoft's new 'Corona' technology for multi-channel audio coding WMA Pro will also be supported shortly. The new edition of CEP boasts a lot of new and substantially improved features compared with the original, and the graphical interface has been 'prettified' too. The Waveform Statistics feature conveys a wealth of information about the content of your audio.
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It uses standard Windows MME drivers and seems to run happily on pretty much any Windows-compatible stereo or multi-channel soundcard. Perhaps I should say at this point that Mac users should skip the rest of this article before becoming too disappointed and upset!
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For those who like to collect colourful packaging, a full boxed version with CD and manual is also available albeit at a higher cost, as are upgrades for registered users of the previous versions of CEP 1. There has been extensive rebuilding of the workings, but pretty much all of the desirable characteristics of the original remain in place the impression is of a more mature, wide-ranging and very capable product, yet without the typically steep learning curve associated with audio editing software of this kind.
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The update incorporates much more than cosmetic tweaking and bug-fixing, but the basic structure remains unaltered in concept, with a stereo editing window and a multitrack window for compiling complex material. The program's widespread popularity is partly due to its remarkable ease of use, partly because of its comprehensive facilities, but especially because of its surprising affordability. Syntrillium's Cool Edit Pro editor has become a firm favourite of amateur sound recording enthusiasts and professional audio users alike, the world over. The new version offers more features, more power, and an updated user interface.
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